Fünfundneunzig Minuten

Gerade wieder nach Hause gekommen, nach einem langen Tag auf Dienstreise und mehr als zwei Stunden beim Aktzeichnen.

Insgesamt 95 Minuten haben wir heute Abend gemeinsam das Modell gezeichnet.

20170801_akt_b

Beim Vorzeichnen habe ich mit einem stumpfen Bleistiftstummel den Rythmus der Kräfte in der jeweiligen Pose gesucht. Danach habe ich ziemlich locker die Konturen mit einem “S” oder “XS” PITT Fineliner gezeichnet. Wobei ich besonders auf die kleinen “Unebenheiten” die durch prominente Muskelgruppen oder durch das Skelett direkt verursacht werden. Als letzter Verarbeitungsschritt verbringe ich noch einige Minuten damit, die Form, bzw. das Volumen des Modells mit Buntstiften herauszuarbeiten. Dabei achte ich darauf, mich (so gut es geht) bewusst auf eine Lichtquelle zu reduzieren.

Acht 10-Minuten-Posen und fünf 3-Minuten-Posen = 95 Minuten. Danach war mein A3 Blatt ziemlich voll gezeichnet.

And on the fifth day …

Who would have believed it? I didn’t draw for four days. No gesture practice, self portraits, nothing … not even any hatching exercises.

… then I went to Tuesday’s Life Drawing Session, for which no model arrived …

20170725_akt_a

I began the evening on the stage … three 10 minute poses for my fellow life drawers. The next hour of drawing, I attempted to use my meagre FORCE knowledge to make those poses more believable. What I’m really surprised about is the true to life likeness of the faces I drew tonight and I can only guess it’s coming from all the quickly sketched self portraits I’ve been doing in front of the mirror. Of course, I’ve also fed my brain with loads of information over the last 3 years (perspective, anatomy, mnemonics, tone, volume) and it was sure to pay off one of the days, wasn’t it?

Getting serious again

I came back from one of my life drawing sessions  …. (yes, I have more than one each week … privileged, little, snotty boy, right? Hah! Jealousy will get you nowhere!) … where was I? right, life drawing … and I’d moved back to lines again, which is kind of getting on my nerves a bit, but this is what that evening brought about:

20170705_akt_a

So, that’s … pencil marks first (finding the basic lines, 1 minute max), fineliner directly afterwards (to commit to the lines, 2 minutes or more) and then a reduced set of coloured pencils (10 to 15 minutes of cool Zen-ness). These are all on the same sheet of A3 190gr/sqm “1584” paper. The paper is great for me and my selection of tools.

Note: I must admit, I’ve been spending some time with a new book I’ve been given as an early birthday present from my gran, it covers Figure Drawing in a refreshingly modern but also academic manner, I may mention it in a future post. The studying of books is starting to pay off, if I’m allowed to say that myself at all.

In the meantime, because I can’t go to life drawing more than twice a week (can I?), I’ve been posing for one or two daily self portraits in front of a mirror. 5 minutes per sketch, all in an A6 Moleskine diary with a fineliner and with limited success. Here’s one of the better ones, if you ask me:

20170706_selfie

Note: Probably I should also mention that I’m currently taking Paul Heaston’s latest Craftsy course, all about making lines and crosshatching and all that stuff he’s famous for.

My daily gesture practice was interrupted a day or two, which is ok once in a while. But I feel I’m not stretching myself enough here, so I’m going to be cranking up the seriousness and attitude in the next few weeks. Here’s an example of 30 second and 90 second gestures using https://quickposes.com :

20170707_gestures

And to end the post, here’s a little painting I did on a very windy day at a sketch meeting in June (I haven’t posted this yet, right?). It’s just lovely knowing you’re painting and sketching surrounded by other painters and sketchers. Good to get out, mingle, feel like you’re sharing an experience, not just stay shut away at home, drawing cups, shoes and selfies:

20170622_Bonn

Good night!

Back On Track

What happened?

After nearly OD-ing on my regular diet of FB, I’ve now managed 12 days without Facebook and Instagram.

The first few days:

itching to look at FB, IG or even twitter … even considered reinstalling the Sktchy app.

To be honest with you and especially myself, I wasn’t actually missing other people’s posts, but I did get the urge to bring my USk books back up from where I banned them: the cellar. But I didn’t succumb to it.

To feed the “gobble gobble urge”, the first few days I watched a lot of videos by Michael Matessi and a few youtube videos on keeping a sketchbook. Ninja Sketchbooking. Or something like that. Not too much information there, actually. Certainly time consuming and certainly nothing to get addicted to.

I’ve been preparing this blog post now for days by taking notes on my phone, which – after about a week –  actually seemed to help quit the online habit. Just chatting with myself instead of putting “my shit” out there. (Which I am actually still doing by posting this, but there’s just you and me reading this.)

I considered starting some more obsessive drawing habits (additionally to my daily gesture drawing obsession):

  • Self portraits, daily
  • Drawing every day objects

I started with the self portraits but I actually ran out of motivation and enjoyed a few days watching Chinese films and reading Elmore Leonard novels.

On the weekend I treated myself to a “handmade” fountain pen (handle is turned from two different types of African wood and the nib is German made: Bock). I also bought a handmade sketch/notebook with Italian paper and used it all tonight at this weeks first life drawing event.

Loosing The Net

OK, I’m going to start an experiment.

I’m leaving The Net, well actually just the social network part of it. I’m going to count the days I don’t log in to my FB account, until I stop even thinking about it. The same goes for Instagram, I won’t be posting or looking at IG. (I already left Sktchy about a month ago and I made a few final tweets yesterday.)

I’m just drawing from real life currently, I want to be more productive and concentrate on my line making and watercolour skill set, do it for the sake of improving and do it for myself.

Here’s an example of one of todays 10 minute real life drawings. Hopefully this guy’ll get happier and happier and more and more productive day by day.

I guess I’ll be posting here about the experiences I make with this long term experiment.

20170615_selfie

The Sweet Spot

There was a time when I drew once a week. I’d come back from my weekly Life Drawing Session, rush to my scanner and upload everything to my blog.

Since being the owner of a sexy smartphone with permanent access to my Facebook and Instagram accounts, and basically drawing daily, the blog posts have become less and less.

However, I’ve been down in the dumps lately. I’ve been dependent on too many outside influences and have been negligent of my own feelings and goals. On top of that, I’ve lately spent a few hours raiding the last remnants of my previous 3 years of drawing and painting. I’ve done away with about 80% of that stuff now, but it left me feeling like the past three years hadn’t made much of a difference.

This feeling of frustration had been growing in me for some time and may have helped me to move to a different style which seems to be keeping me from being too tidy but also from being too sloppy. I actually think I may have reached a temporary sweet spot. I’m not sure if I want to stay in this very spot, but it’s allowing me to break out of my usual line making activity and I’m additionally no longer afraid of painting before drawing.

I look, I paint and then I hold a coloured pencil pretty firmly and draw very focused but fiercely, making unforgivable lines and curves.

I used it just now at Life Drawing and this is what came out.

20170530_520170530_320170530_120170530_220170530_420170530_620170530_7

Days of Doubt

I’ve just finished a 30 day challenge of drawing at least one portrait per day and now that the emails are no longer arriving, I’m feeling a bit lost. Additionally, I’ve had one or many bad head colds the last 4 weeks.

Whatever, I’d started to doubt myself the last 24 hours, asking whether I actually know where I’m going with this and if there is any progress I have achieved (“What?” Yeah, that’s doubt for you).

Anyhow, I was on a business trip yesterday, spent hours at airports and in planes and in retrospect, the time seemingly flashed by  in minutes because I was sketching people most of the time. Just sketching, nothing rendered in great detail. And I find myself asking myself where all that time had gone (I was on a 15 hour trip). And, “was it used sensibly?” I can’t find a simple answer to that question yet.

I’m quite sure I should be doing more to increase my skill set, because it seems like I’m using  a lot of my precious time, just sketching and not drawing or painting. I still haven’t sat down to practice any anatomy, although I have started collecting female body builder pictures on pinterest, because that’s something I picked up somewhere on the net, I think while reading up how to study with George Bridgman’s study notes. Which is also something I never considered looking into. I just found the link again, after searching for “bridgman alcoholic stick” (would you believe it?). You could also try “Studying Bridgman properly”.

There is a three step study recommendation:

  1. understand the text as well as possible
  2. make a tonal study of Bridgman’s sketch
  3. find a photo reference covering the studied area of the body and copy from the reference using your newly learnt knowledge (the recommendation is to use female body builders because they are lean and the muscles stand out)

Just need to do it …

2017_blog_days_of_doubt-3
contour lines, paint, then crosshatching
2017_blog_days_of_doubt-2
crosshatching then paint
2017_blog_days_of_doubt-4
Flight home
2017_blog_days_of_doubt-1
30 second gestures

The Art of Practice

I had an interesting conversation a short time ago while I was in Barcelona on an Urban Sketching workshop. I’d asked my host if anything had surprised her about me, because we had only met and chatted for 5 minutes in December the previous year.

She said, yes, there had been one thing: I’d mentioned to her during our online chats that I get up at 6am and practice gesture drawing for 30 minutes, make breakfast, and then continue the practice for a further 20 minutes. But what surprised her was that I really do what I say.

I guess we’ve all been there at one time or another, telling ourselves we practice or sketch regularly, but are we being honest to ourselves, are we really keeping to our planned routine? I noticed, half a year ago that I was giving myself a lot of slack, not keeping to my envisioned schedules, so I changed my routine and my setup at home to make it as easy and comfortable as possible to just get up and practice, and it seems to be working (even worked for a week in Barcelona).

However, the invested time and regularity of practice is just part of my way to achieving my goals.

Mindfulness is a further important part. I have to be completely present in that very moment. I have to understand or try my hardest to understand what I am doing then and there.

Gesture drawing is about a few lines and shapes that must tell a clean story. What story is the pose telling me? Which lines and shapes can be used? Where is the rhythm? How can the rhythm be tamed, accentuated, put to work for telling the story?

I have the first volume of Walt Stanfield’s Drawn To Life, which is a collection of evening session life drawing handouts and quite hard to read actually. Anyhow, I’ve been chewing myself through it and what I’ve taken out of it is a nagging, self-criticizing voice which keeps asking me what Walt would do with this pose and whether my result would please him or not. I have decided to tell myself, my gesture drawings would not please Walt, but if I put some more effort into them, they may do one day.

I believe this to be a good approach, giving in to the idea that I can’t please the teacher, but I can work harder at improving.

That has helped me understand one of the psychologies behind me posting on Facebook, Instagram and Sktchy: I’m fishing for compliments because it helps me become complacent and feel comfortable at my current skill set. Ok, I don’t want to be too hard on myself, but I think I’m going to have to consider posting on FB and IG (and perhaps even Sktchy) only when I believe I have met a milestone in my progress and even ask explicitly for feedback.

This is also coming from an experience I made on Sktchy a week or two back. I asked for critique and got some. I took it to heart and I believe it moved me on another few inches on this never ending path to mastery.

For more information on the path to mastery, take a look at George Leonard’s book “Mastery, The Keys to Success and Long-Term Fulfillment”. I believe it is legally available online in digital form.

A Sketcher’s Traveling Kit

I left for a short (4 day) trip to India 2 weeks ago and got back last Friday.

As usual, it wasn’t easy deciding what to take with me. The correct number of shirts, pairs of pants, socks, toothbrush and co. were obviously not the issue. The real pain points were of course: which art supplies shall I take with me?

It will probably not come as a surprise to anyone reading this that I packed too much. Yes, too much, as most of us probably do. But I think some art friends will be surprised in a moment how little I took and still see me planning to reduce it on future trips.

I’ll start out with what I took along, I’ll add a photo of it later. Then I’ll let you know what I’ll take along in future.

  • Lamy Safari fountain pen (F nib) prefilled with De Atramentis black ink
  • empty Lamy Safari (M-nib), with one unopened purple ink cartridge
  • Tombow Calligraphy pen (hard nib)
  • a Kolinsky paintbrush, size 8
  • two containers for water
  • a nib and nib holder
  • a pot of India ink
  • reduced set of 6 coloured pencils (Polychromos)
  • one unused(!) water colour sketchbook (heavy paper)
  • one Moleskine A5 diary (half full)
  • pencil, kneadable eraser, pencil sharpener, pen knife
  • Schmincke watercolour tin for 12 pans (filled with 10)
  • a small Koi waterbrush
  • a sleeve ripped off an old t-shirt
  • a book with reference photos of figures, to practice drawing at night

2017_too_many_art_tools

So, what will I take along in future, based on what I used of the above?

  • a Moleskine diary
  • the magical Tombow Calligraphy pen (hard)
  • the small Koi waterbrush
  • ripped off sleeve of a t-shirt (wraps wonderfully around thumb and wrist)
  • tin of 10-12 watercolours
  • pencil (optional), kneadable eraser (doubly optional)

Wow, that’s pretty simple. That’s basically nothing.
But those were the tools I pulled out all the time.

  • while waiting for the planes arrival at departure
  • while on the flight to India
  • while waiting in the hotel’s lobby
  • while at the breakfast table
  • while watching my colleagues play cricket
  • while practicing poses in the hotel room
  • while practicing drawing lines when the colleagues were bowling

2017_just_enough_art_stuff

And what did I sketch while I was on my trip?

Ok, there’s one in there with coloured pencils, perhaps I’ll slip the reduced coloured pencils set in too. The pencil case is soooo sweet 🙂 But that’s it! … I promise … I feel myself wanting to add a real paintbrush and a container for water. But if I want to whip the tools out in seconds, and also pack them away as quickly as possible … then they can’t come on the trip with me.

5 hours a day

Wow, what a Sunday!

Before breakfast, I was already on quickposes.com and practicing “30 second feet” and faces.

Directly after breakfast, I broke out the Sktchy.com iOS app and ran a few quick portraits on a paper bag from the bakery. Copic pens got a short act in there too.

1 pm took us into town, where we visited a vernissage of Kurdish women in Bonn’s Frauenmuseum (http://www.frauenmuseum.de/). Once there, I was excited to find that it was quite easy for me to just reach for my fountain pen, small A6 Moleskine journal and 4 colour pencils to indulge myself in a selfish act of drawing. Later I had small chats with some of the Kurdish ladies and their children.

Once home and after some tea, knowing that my wife would be out for a night of dancing (Tango Argentino), I started working through my Sktchy app photo queue. Still working with the 4 colour pencils, Lamy and A6 Moleskine cahier journal.

All told, I believe I clocked 5 hours of drawing today. Something I haven’t done for a long time, but I believe I covered some important areas: practice, fun and project. Hopefully to be repeated fairly soon.

Here is most of what I drew today.